Gig 67. The Art Ensemble of Chicago, The Leadmill, Sheffield, 10th May 1984.
Their sound eddies and flows like the ocean tides and currents, from Lake Victoria in the heart of ancient Africa to their home on the shores of Lake Michigan.…
Read MoreTheir sound eddies and flows like the ocean tides and currents, from Lake Victoria in the heart of ancient Africa to their home on the shores of Lake Michigan.…
Read MoreThe start of our pressing interrogation of sound and the space around it. The nods and the glances between us, the blinks and winks, as we search for a kind of musical neutral buoyancy, where we become immersed in the current that pushes our wave of noise towards the audience.…
Read MoreSiouxsie herself looks stunning, in a high bodice with what looks like a belt of many, many strips of fine leather which reach down to her calves. They jerk and leap like electric eels as she dances...…
Read MoreThis Icelandic saga played out in the music weeklies throughout the spring and summer of last year. A gripping tale of escape, exile, brotherhood and betrayal, like Puzo with puffins.…
Read MoreThe stage here is very high indeed - anyone planning a fan invasion will need rope and crampons. It sits imperiously above the stalls like an Aztec temple. Appropriately enough, as three and a half thousand Scots scream their approbation, ready to sacrifice themselves to the metal gods.…
Read MoreThis line-up’s spiritual home is Club Left, an evening of “cool bop and swing” that runs at the Whisky-a-Go-Go in London’s Soho. I’ve read about Club Left in the NME. It appears to revolve around wearing dickie bows and listening to old Bobby Darin records.…
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